The Song of Bernadette (1943) 

     Jennifer Jones plays the legendary French peasant who claimed to have dialogues with the Virgin Mary at a Lourdes grotto in 1858. The script handles the visitations as an article of truth (Linda Darnell plays the Virgin), which helps move the drama forward, though much of the story concerns the conflicts that arise in the community after Jones is told the grotto contains healing waters. Made by Henry King (The Snows of Kilimanjaro), the film is gorgeous to look at and sensitively directed; and Jones (who won an Oscar for Best Actress) is radiant in the lead. Whatever one\'s religious persuasion, this is a strikingly handsome Hollywood production to be enjoyed. The film also earned Academy Awards for cinematography and score. 


BRIEF SYNOPSIS
 	
     In 1858 France, Bernadette, an adolescent peasant girl, has a vision of \"a beautiful lady\" in the city dump. She never claims it to be anything other than this, but the townspeople all assume it to be the virgin Mary. The pompous government officials think she is nuts, and do their best to suppress the girl and her followers, and the church wants nothing to do with the whole matter. But as Bernadette attracts wider and wider attention, the phenomenon overtakes everyone in the the town, and transforms their lives.

SYNOPSIS

     On 11 Feb 1858, in the French village of Lourdes, François Soubirous and his wife Louise begin the daily struggle to provide for their daughters Bernadette and Marie and sons Justin and Jean. The poverty-stricken family lives in the town\'s former jail, which provides an unhealthy environment for the asthmatic Bernadette. Bernadette and Marie go to school, where Sister Marie Therese Vauzous is irritated by the fourteen-year-old Bernadette\'s ignorance. Because Bernadette has not learned her catechism, the imperious nun does not allow her to keep a holy picture given to her by Dean Marie Dominique Peyramale, and Bernadette asks her friend, Jeanne Abadie, to study at home with her. Louise sends the girls to gather wood, and while Jeanne and Marie wade ahead through the River Gave, Bernadette waits by the grotto of Massabielle. Bernadette is drawn to the cave\'s edge, where a beautiful Lady appears to her. Bernadette kneels before The Lady and says a rosary with her, but is wakened from her reverie by the reappearance of Jeanne and Marie. Bernadette describes The Lady, who was not seen by the other girls, but they are skeptical, as are Louise and François. The next day, Bernadette is overcome when she again sees The Lady, who asks her to visit fifteen times and tells her that she cannot promise Bernadette happiness in this world, only in the next. Frightened and concerned, Louise makes Bernadette promise never to return to Massabielle. The story of Bernadette\'s vision spreads through the village, until Bernarde Casterot, Louise\'s sister and Bernadette\'s godmother, insists that they accompany her to the grotto. The next morning, several others go with the family to Massabielle, and although no one else can see The Lady, Bernadette\'s exaltation convinces them that she is communicating with something glorious. The story spreads to other communities, and soon Mayor Alphonse Lacade, imperial prosecutor Vital Dutour, police commissioner Jacomet and other officials are upset by the ridicule being heaped upon Lourdes because of Bernadette\'s inexplicable actions. Dr. T. Duzous informs the men that, after examining Bernadette, he cannot diagnose her as mentally ill, and Father Peyramale also refuses to interfere, even though he does not believe in Bernadette\'s vision. Jacomet warns François that the entire family will be locked up if Bernadette\'s visits to the grotto do not cease, and Marie Therese punishes Bernadette by ridiculing her in front of her classmates. When Bernadette sobs that she will die if she cannot see The Lady, François gives her permission to return to Massabielle. There, The Lady, who has never told Bernadette her name, asks the girl to tell Peyramale to instruct the priests to build a chapel at the grotto, and to \"let processions come hither.\" Peyramale reprimands the teenager, but then orders her to have her Lady perform a miracle to prove herself. Peyramale demands that The Lady make a rose bush in the grotto bloom, but instead, The Lady tells Bernadette to \"eat of the plants\" and \"drink of the spring and wash there.\" The large crowd is appalled to see Bernadette choke down some weeds, then dig in the earth and rub mud over herself, and a stunned Louise leads the girl home. The jeering crowd applauds Jacomet\'s declaration that Bernadette is an idiot, but miller Antoine Nicolau, the girl\'s shy admirer, sees water trickle from the hole. When stonemason Louis Bouriette, who believes Bernadette, bathes his blind eye with the water, he can suddenly see. Convinced that the water has mysterious powers, Bouriette and Antoine lead others to build a stone channel for the flowing spring. That night, Croisine Bouhouhorts takes her dying son to the spring and he is revived by the cool water. Dozous is astonished to see that the toddler\'s paralysis has vanished, and the villagers proclaim that a miracle has occurred. All of France discusses the incident, and as Peyramale begins to wonder if Bernadette truly is a vessel of grace, hundreds of pilgrims converge on Lourdes. During the last of Bernadette\'s proscribed visits, she asks The Lady her name, but confesses to Peyramale that the answer--\"I am the Immaculate Conception\"--baffles her. Later, Lacade, who wants to profit from the miracles, reluctantly closes the grotto at the request of Dutour and Jacomet. Dutour invites a psychiatrist to examine Bernadette, but when the men attempt to institutionalize the girl, Peyramale defends her and takes her to the convent hospital for safekeeping. There, Marie Therese chastises Bernadette, telling her that in earlier times, she would have been burned at the stake for her actions. Meanwhile, Peyramale visits the Bishop of Tarbes and asks him to form an Episcopal Commission to investigate Bernadette\'s vision. The bishop agrees, but on the condition that the grotto be opened through The Lady\'s intercession. Soon the grotto is open at the behest of the Empress Eugénie, who believes that the waters cured her feverish son. In Nov 1860, the Commission begins an extensive examination of Bernadette, the grotto and the healings that have occurred. The years pass as Bernadette grows to womanhood, until finally the commission admits the possibility that she was \"chosen by powers above.\" Peyramale tries to impress upon Bernadette the consequences of their findings, and although she fears the implications, she accepts the necessity of leaving the everyday world and becoming a nun. Bernadette goes to the Sisters of Nevers, and there again encounters Marie Therese, who is the Mistress of Novices. Marie Therese is a hard taskmaster to the twenty-year-old novice, but Bernadette patiently accepts her chores and her new name, Marie Bernarde. When Marie Therese sees Bernadette limping one day, she assumes that the girl is only seeking attention. Although she knows that even the Pope has accepted Bernadette\'s gift of holy vision, Marie Therese is still torn by doubt and asks the young woman what she knows of suffering. Marie Therese explains that she has deliberately led a severe life but has felt no touch of grace, and although Bernadette has no answer for the tormented sister, she finally shows her a large tumor on her knee. Bernadette is diagnosed with tuberculosis of the bone, which the doctor describes as unbearably painful. Astonished by the grace with which Bernadette has born her suffering, Marie Therese becomes the younger nun\'s devoted servant. As Bernadette grows weaker, the Commission questions her again, and she reaffirms her belief in The Lady. At Bernadette\'s bedside, Peyramale tries to calm her fears that she is not worthy enough to see her Lady again. As the sisters pray around her, Bernadette\'s face lights up and she cries out \"I love you\" upon seeing the beckoning Lady. Bernadette then dies, and Peyramale quietly states: \"You are now in heaven and on earth. Your life begins, O Bernadette.\"



NY TIMES Historical Movie Review Published: January 27, 1944
The Song of Bernadette (1943)

THE SCREEN; \'The Song of Bernadette,\'
 a Devout Film Version of the Werfel Story, 
With Jennifer Jones, Opens Here at Rivoli

By BOSLEY CROWTHER
Published: January 27, 1944

Franz Werfel\'s eloquent story, \"The Song of Bernadette,\" which is a hymn to the everlasting beauty of innocence and faith, has been made into a motion picture by Twentieth Century-Fox that challenges criticism, as did the miracles which it records. Unquestionably, this picture, which opened at the Rivoli yesterday, is tedious and repetitious; it takes two hours and forty minutes to explore a singular mystical experience and its almost wholly spiritual effects. It lingers too fondly over images that lack visual mobility, and it goes in for dialectic discourse that will clutter and fatigue the average mind. But it is done with great reverential dignity and—except in one aspect—good taste. It is played with exceptional authority by a large and completely excellent cast. And, through Jennifer Jones, a new actress who plays the difficult role of Bernadette, it achieves a rare quality of sweetness that lifts it above its common faults.

The task of making a motion picture from the story of Mr. Werfel imposed some severe difficulties which the producers could not fully overcome. Thoughts and moods kindled through language, through the transcendent poetry of words, are hard to evoke through pictures that are concrete and definite. Thus the cumulative exaltation which one got in Mr. Werfel\'s book is here altogether dependent upon illustrations that do not expand. Nor is the complement of background music sufficient to lift them to the heights. The mysteries of deep emotion are but vaguely suggested by this film.

Likewise, the producers were thwarted by the tremendous size and detail of the book. They were apparently loath to leave out or condense any part of it. And so the film tells in much particular of the peasant girl, Bernadette Soubirous of Lourdes, who saw a vision of \"a lady\" in a grotto back in 1858; of the mounting agitation and resentment which this caused in her village and then throughout the world; of the miracles of healing which happened at the grotto as a manifestation of grace, and of the cloistering of Bernadette thereafter as a novice in a convent, where she died.

There is fine appreciation of the character of Bernadette in this film, largely because of the simplicity and beauty of Miss Jones in the role. Her large, sad eyes and soft face, her wistful mouth and luminous smile are a thoroughly appealing exterior for the innocence which shines from within. And her manner, both dignified and humble, modest yet confident, is a wonderful contrast to the shadings of lay and clerical personalities which confront her on all sides.

Charles Bickford gives a strong interpretation of the Catholic dean of Lourdes who champions the guileless maiden when he perceives her unshakable sincerity, and Vincent Price, Lee J. Cobb and Charles Dingle etch the attitudes of townsmen trenchantly. Anne Revere, Roman Bonen and Sig Ruman are touching as simple folks, and numberless other actors are true in supporting roles.

One might question the taste of the producers, as well as the dramatic effectiveness, in their use of a visible, effulgent woman to represent \"the lady\" whom Eernadette sees. This white-robed, seraphic vision is too obvious a bit of pageantry to convey the overpowering exaltation of divine and miraculous grace. And the use in the musical background of soaring violins, choral voices and chimes is a curious representation of the emotional response of a peasant girl. It would seem that this phase of the picture could have been handled much more imaginatively.

With all due respect, this writer feels that a better film could have been made from the story of Mr. Werfel if it had been done at less ponderous length. Faith has the strength to move mountains, but it is sorely taxed in sustaining this mountainous film.


THE SONG OF BERNADETTE, screen play by George Seaton; from the novel by Franz Werfel; directed by Henry King; produced by William Perlberg for Twentieth Century-Fox. At the Rivoli.
Bernadette Soubirous . . . . . Jennifer Jones
Dean Peyramale . . . . . Charles Bickford
Antoine Nicolau . . . . . William Eythe
Prosecutor Dutour . . . . . Vincent Price
Dr. Dozous . . . . . Lee J. Cobb
Sister Marie Theresa Vauzous . . . . . Gladys Cooper
Louise Soubirous . . . . . Anne Revere
Francois Soubirous . . . . . Roman Bohnen
Jeanne Abadie . . . . . Mary Anderson
Mayor Lacade . . . . . Aubrey Mather
Commissioner Jacomet . . . . . Charles Dingle
Croisine Bouhouhorts . . . . . Edith Barrett
Louis Bouriette . . . . . Sig Ruman
Marie Soubirous . . . . . Ermadean Walters
Empress Eugenie . . . . . Patricia Morison
Emperor Napoleon . . . . . Jerome Cowan
Policeman Callet . . . . . Marcel Dalio
Aunt Bernarde Casteret . . . . . Blanche Yurka
Dr. Le Crampe . . . . . Pedro De Cordoba
Bishop of Tarbes . . . . . Charles Waldron
Chaplain . . . . . Moroni Olsen
Convent Mother Superior . . . . . Nana Bryant
Charles Bouhouhorts . . . . . Manart Kippen
Jean Soubirous . . . . . Morrill Rodin
Justin Soubirous . . . . . Nino Pipitone Jr.
Father Pomian . . . . . John Maxwell Hayes
Madame Bruat . . . . . Tala Birell
Madame Nicolau . . . . . Eula Morgan
Psychiatrist . . . . . Alan Napier


 
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